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Wednesday, October 8, 2014

Elisabeth Workman at the Twin Cities Book Festival this Saturday


If you're going to the Twin Cities Book Festival on Saturday in Minneapolis, be sure to stop by the Rain Taxi booth to meet Elisabeth Workman. She'll be signing copies of Ultramegaprairieland, which is discounted to $10 for the festival—and during her Author Hub event she will madlib/remix you a poem on the spot.

Event details: Saturday, October 11, 12:30–1:15 PM
Minnesota State Fairgrounds
FREE admission & free parking

Elisabeth Workman: The Lonely Remix 
Are poems lonely? Are they mere abandoned works of art just waiting for someone to remix and revive them? How is a poem a want ad? How can a poem be awesomely bad? Join Elisabeth Workman for a want-ad-lib (awesome bad lib) encounter in which you will walk away with your own personal remix of a poem from her new book Ultramegaprairieland. Meet her at the Rain Taxi booth! 

http://www.raintaxi.com/twin-cities-book-festival/authors/author-hub/#workman

Wednesday, October 1, 2014

Bedtime Stories for the End of the World! by Daniel Borzutzky



Bedtime Stories for the End of the World!
Daniel Borzutzky
PREORDER: November 2014
Handmade
$8.00

Design TBD. Image is a special-edition broadside.

Bloof Books Chapbook Series
Vol. 2: Issue 5
ISSN: 2373-163x
LIMITED TO 100 COPIES



To purchase by check or money order, or to calculate shipping outside the US & Canada, please email us.

Excerpt: 


from In the Blazing Cities of Your Rotten Carcass Mouth 

The children were eating the bushes outside of their former houses that had been crushed by The Bank of America. 
There was a boy in a bush singing an improvised song about a bulldozer that obliterates the bureaucratic centers of the earth. 
Do you remember cheese, he sang to his friend. 
Te acuerdas de la piña? 
Do you remember ferries, he sang to his friend. 
Te acuerdas de los patos? 
Do you remember school bells and cowards and the boys who would come to our yard to eat the scraps of food we threw to them before the city started to blaze? 
Bienvendios a CVS. Si cuenta con tu Extra Care Card please escanea it now. 
There really wasn't money anymore or at least there wasn't money for us. 
The man with the camera kissed me and took photographs of the blood that dripped from my fingers. 
Everyone knew he was CIA. 
He knew for example that the blood that dripped from my face tasted like the blood of the workers assassinated by the Fatherland. 
Then I found a dying shack and I met a man with a chain and he was snoring and talking in his sleep and he smelled like pee and complained he had lost his pension when they privatized the city in the dying days of the rotten carcass economy. 
Looking after the world is a shitty job if you're really not a people person.
Read more of this poem at Pen American.

Photo credit: Sean Patrick Cain
Daniel Borzutzky's books include In the Murmurs of the Rotten Carcass Economy (Nightboat, 2015); The Book of Interfering Bodies (Nightboat, 2011); The Ecstasy of Capitulation (BlazeVox, 2007); and Arbitrary Tales (Ravenna Press, 2005). His poetry translations include include Raúl Zurita's Song for his Disappeared Love (Action Books, 2010); and Jaime Luis Huenún's Port Trakl (Action Books, 2008), among others. His chapbooks include Memos for the Rotten Carcass Economy (Insert Press, 2013); One Size Fits All (Scantily Clad, 2009); and Failure in the Imagination (Bronze Skull, 2007). His writing has been anthologized in Telephone Books Anthology of English-to- English Translations of Shakespeare Sonnets; La Alteración del Silencio: Poesía Norteamericana Reciente; Malditos Latinos Malditos Sudacas: Poesia Iberoamericana Made in USA; Seriously Funny: Poems About Love, God, War, Art, Sex, Madness, and Everything Else; A Best of Fence: The First Nine Years; and The City Visible: Chicago Poetry for the New Century. His work has been translated into Spanish, French, Bulgarian, and Turkish. He lives in Chicago.

Monday, September 22, 2014

Bloof News: September 2014


















Come see us at Philalalia! 

This Thursday, Friday & Saturday in Philadelphia 

Bloof Books will be at the bookfair all three days. Plus, 
we're giving a chapbook-making workshop Friday at 
noon, and hosting a reading with Coconut Poetry 
Friday night. (More on that below.) 

Philadelphia's first annual small press poetry & 
art fair is drawing small presses from all over, including 
Black Radish, Dusie, Fact-Simile, Furniture Press, 
Futurepoem, Gigantic Sequins, Ixnay Press, Least Weasel, 
Lungfull! Magazine, Propolis, Saturnalia & more!

Browse the list of vendors & see the full schedule 
of workshops and offsite readings here: Philalalia.com

Friday, September 26
8:00 p.m. at Snockey's
Philadelphia, PA

Bloof & Coconut host the official Friday night event
of Philalalia, with performances by:

Stephanie Berger
Natalie Eilbert
K. Lorraine Graham
Kirsten Kaschock
Gina Myers
Catie Rosemurgy
Kim Gek Lin Short
Shanna Compton
Bruce Covey

More info.

Saturday, September 27
4:00 p.m. at Powderhorn Park
Minneapolis, MN

Launch party for Elisabeth Workman'sUltramegaprairielandOur Flow Is Hard presents Elisabeth Workman and her band of beastly, cosmic, pinwheeling sprites of the big Midwestern prairie. With Feng Sun Chen, Sarah Fox, Paula Cisewski, George Farrah, Emily Fedoruk, MC Hyland, and musical guests the Southside Aces.

More info.

Coming in November!
Preorder for $12

"Driven by a seeming impulsiveness and a bravura, as well as a kind of scientific lyricism, that put you in touch with the cosmic abyss." —David Trinidad

On the 50th anniversary of Ted Berrigan’s and the 25th anniversary of Bernadette Mayer’s, Bloof Books is thrilled to publish The Sonnets by Sandra Simonds.

Excerpt & info.



Tuesday, September 16, 2014

Conversation with the Stone Wife by Natalie Eilbert now available in free e-book formats





Read it as a flip book above, or download the PDF.

From a new review by Lynn Melnick at Luna Luna Magazine


Conversation with the Stone Wife, a chapbook of poems by Natalie Eilbert, delivers to us a Venus who is as complex and contradictory as any flesh-and-blood human. Here Venus gets to talk back, and what she has to say is both long-awaited and timeless. “…what I own is the damage,” the speaker chillingly states “of your theorized life.” 

This complex illustration of female-hood is one of the reasons this chapbook is so thrilling; it offers no easy explanations, or explorations. Eilbert is a remarkably deft poet. Her skill with form, along with the music of her words, lends a beauty to the book that scrapes against the sometimes difficult or raw language."

[Read the rest]



PRAISE FOR CONVERSATION WITH THE STONE WIFE

Among the post-apocalyptic rubble, you can still hear the quivering orgasm of human inquisition in Natalie Eilbert’s first book, Conversations With the Stone Wife, to be released by Bloof Books this year. Eilbert unburies the Venus of Willendorf, a figure whom civilization’s increasingly greedy demands have been pinned on- in one form or another-for centuries, and dares to ask her about wifery, motherhood, muse-life, and fertility. Quite understandably, the Venus has other things on her mind, which Eilbert voices horrifically, sensually, and with a historian’s antecedent yet prophetic look over the shoulder. The world this chapbook creates is one posterior enough to systemic collapse to admit that it’s ruined itself. Still, somehow, the people expect an oracle with a velvet voice. Instead, they get the vengefully coarse whisper of the primeval returned to say, “I told you so.” Still, the stone wife is not all doom and gloom. She’s going to have her way with you through Eilbert’s lush verbs and forceful repetition, and you’re going to love it.
—Monica McClure, Electric Literature

[Natalie Eilbert] hints at her way of reckoning, carrying the machine, hoisting the flag, creating this new etymology (and further, the new country), with pained story and images of the so cruel is so beautiful variety. [She] rocks the poetic boat right with her snapping of plastic forks, daring you to dig into this muck with her, so dangerously enchanting.
Vouched Books

Thursday, August 21, 2014

The Rumpus reviews Ultramegaprairieland by Elisabeth Workman…

…and it's another great one!

 
If it wouldn’t increase the costs of the print runs exorbitantly, it would feel totally appropriate for, say, page 50—”Ptolemic Poodles”—to have a pop-up of harajuku-appropriating-era Gwen Stefani belting: “This shit is bananas! B-A-N-A-N-A-S!” Except that the overall conclusion of the book seems to be altogether the opposite. Workman so thoroughly encloses us in a technology-soaked culture that is yet somehow threaded through amber waves of Americana that you start to feel like it’s not really bananas at all. This shit is just the state of affairs.
Read the rest.

Monday, August 18, 2014

New ebook release: PACKING by Hailey Higdon

The first chapbook when we launched the series is now available as an ISSUU flip book or downloadable PDF!
Download the PDF of PACKING here.

Monday, August 11, 2014

Open Reading Period: 2015 Chapbook Series

*WE ARE NOW CLOSED. Thanks to all who submitted during August. 

Open Reading Period 

Yes, it's happening. 

Please do not send a manuscript before August 1. We are not looking at longer MS right now and are full though 2016 for longer books.
The guidelines are pretty much the same as the previous two years, but please note that the manuscript's max length has been shortened to 25 pages.

Little Uglies by Dawn Sueoka (August 2014)
Basics: 
Bloof will open the month of August for manuscript submissions of poetry chapbooks. All manuscripts must adhere to the guidelines below, and be submitted electronically between August 1 and August 31, 2014.  
This is not a contest. There are no fees, no judges, no bullshit. This is an open reading period. 
We will choose at least ONE but as many as SIX chapbooks to publish in 2015. (Both previous times we have chosen six.)  
If your chapbook is chosen, you will hear from us via email. If not, you will be notified of the selections when we make the public announcement in October (via this newsletter, our social media accounts, and blog). 
Books will be produced in a limited handmade run of 100 copies, then released electronically thereafter. Chapbooks will be sold through our website, at select bookstores, and at various events. 
All Bloof collective members are invited to read and discuss submissions, per their availability. 
Natalie Eilbert's Conversation with the Stone Wife (July 2014)

How to prepare your manuscript: 
1. Read a couple of our books and chapbooks, or at least look up the poets and read some of their work available online. (And see below for free ebook versions of our previous chapbooks.)  
While we are theoretically open to reading any style of poetry, we certainly have preferences and even biases. Familiarity with the books we have already published should help you decide whether your work is a good fit. That's different than saying we are only looking for work that looks just like what we have already done. (As if.) 
2. Bloof is a collective press. What does that mean? Read this post about "The Way We Work." Basically it means if you publish with us, you become part of the collective and will be expected to actively participate in the press, including activities beyond the scope of your own book. Do not submit to Bloof is you don't think that sounds like a whole lot of fun. That post also explains how you will be paid, if you publish with Bloof. (For chapbooks, authors receive 20 copies + 12% royalty on the rest of the print run. They may also order additional copies at a discount.) 
3. Manuscripts should be typed, in English, consist of up to 25 pages of poetry, and be formatted in a reasonable, easy-to-read manner. The work should be unpublished in chapbook or book form, as a whole, though individual poems may have appeared in magazines, etc. Please include a list of acknowledgments, if any.  
4. Collaborations are acceptable, with the participation of all collaborators. We are not looking for translated work at this time 
5. Include a cover sheet with name, manuscript title, mailing address, and email address. It is unnecessary to include this information anywhere else, like page headers or footers.  
6. Number the pages in the manuscript.  
7. Cover letters are OK (since we are not reading without names attached), but we'd actually prefer to consider Chapbook Proposals. How do you imagine this chapbook will look? Do you have any design or artistic skills you'd like to incorporate? Would you enjoy helping with the assembly? Are you interested in particular materials?

The final design will be a collaboration between Bloof and the author—and obviously we are constrained by budget considerations—but for the proposal, if you have a vision, describe it to us. Maybe we can make it work.

It is optional for you to bring your own design or illustrative skills into play here. If that's something you'd like to do, explain. If you have other ideas beyond these few examples, about how to distribute or promote the book, or whatever, explain those. You can submit just a manuscript…or a manuscript plus these sorts of ideas in a concept/proposal. 
8. Manuscripts must be saved as a PDF and submitted electronically to this email address: info [at] bloofbooks [dot] com. Save the file with your last name and title (or partial title if it is long) as the document name, separated by an underscore: Knox_Mystery.pdf 
9. Simultaneous submissions are your right. We ask only that you promptly let us know if your manuscript is accepted elsewhere.  
10. Any submissions that do not follow these guidelines will be automatically deleted. It's fine to ask a question (same email address) if something is unclear, but if we can tell you haven't read the guidelines completely, we probably won't answer. We're very busy…and about to get a whole lot busier. 

Previously in the series: 

Packing, Hailey Higdon (sold out, ebook coming soon)
This Is What It Is Like to Be Loved by Me, Jared White (sold out, free ebook available)
Nonstop Pop, Becca Klaver (sold out, free ebook available)
Poems Are the Only Real Bodies, Jennifer Tamayo (sold out, free ebook available)
scenes from the lives of my parents, Pattie McCarthy (almost gone)
Windowboxing: A Dance with Saints in Three Acts, Kirsten Kaschock (almost gone)
Odalisque, Ben Fama (sold out, free ebook available)
The Failure Age, Amanda Montei (almost gone)
Conversation with the Stone Wife, Natalie Eilbert (only 4 left!)
Little Uglies, Dawn Sueoka (new!)
Bedtime Stories for the End of the World!, Daniel Borzutzky (forthcoming)
Sympathetic Nervous System, Jackie Clark (forthcoming)

Wednesday, August 6, 2014

Now available for preorder: Dawn Sueoka's Little Uglies



LITTLE UGLIES
Dawn Sueoka

PREORDER: August 2014
Handmade | 4 x 6 inches
Various shades of blue/violet cover stock & ink. Linocut print.
32 pp. | $8.00

Bloof Books Chapbook Series
Vol. 2: Issue 4
ISSN: 2373-163x
LIMITED TO 100 COPIES



To purchase by check or money order, or to calculate shipping outside the US & Canada, please email us.

Excerpt:
Yellow skin banana with dark spots on it 
Sometimes I space out a little.
I let my body go completely limp.
The sky becomes false to me.
Everything is gross to me.
Ten times a day the sun rises and ten times a day the sun sinks.
I shut one eye and it is still there.
Don’t let anybody tell you otherwise:
Dog bites kid, and the world moves savagely on.
Ha!
In the next century, I hope to be savage as Paul Verlaine.
I dip my fingers into a lake
that is only a rumor of a lake.
I throw fistfuls of petals into the
heart of the moon.
I shut one eye, shedding tears of red and blue.
Sometimes I space out a little.
The linocut design concept is inspired by the author's close attention to small moments and details and her use of "nightmarish and crude" imagery and diction, including received phrases wedged into new and unexpected contexts, whereby the everyday strikes strange. The handprinted covers vary among a selection of blue, violet, and green shades, with inks ranging from silver and turquoise to lilac and deep indigo. The interiors are laser printed on bright white acid-free, archival-quality paper. Handsewn in natural twine.

Litte Uglies is the fourth chapbook in the 2014 series from Bloof Books. Each chapbook in the series will be released in a limited edition of one hundred numbered copies, followed by a digital release.

Dawn Sueoka’s work appears or is forthcoming in West Wind Review, Shampoo, smoking glue gun, Pinwheel, Birds of Lace 30 x Lace, and Coconut, among others. An essay on John Cage appears in Jacket2. She lives and works in Honolulu, Hawai‘i. Little Uglies is her first chapbook.

Sample poems from Little Uglies:

"We owe you nothing but love" & "Preludes and nocturnes" at Coconut



Tuesday, August 5, 2014

SOLD OUT. Conversation with the Stone Wife by Natalie Eilbert



Here's the cover concept for Natalie Eilbert's amazing Conversation with the Stone Wife



We've been having a ton of fun (and making a huge mess) working on the "artifact" concept, which involves natural earth pigments like red and yellow ochre, plus local river valley dirt from the creek a few blocks from Bloof Headquarters in NJ.

These are in progress and could start shipping as soon as next week. The rest of the paper should be here in a day or two.
More info and preorder buttons here: http://www.bloofbooks.com/stonewife.html
Limited to 100 handmade copies. Only $8.
Because the covers are hand-rubbed with the pigments, no two will be alike!

 Sorry, this chapbook has sold out as of August 5, 2014. Look for the ebook online soon! 




Wednesday, July 23, 2014

Bloof at the New York City Poetry Festival this weekend: July 26 & 27



Bloof Books will be at The New York City Poetry Festival both days this weekend—Saturday, July 26 and Sunday, July 27.

Complete festival info & directions: http://newyorkcitypoetryfestival.com/

The festival is free & no tickets are required.

PERFORMANCES

Sunday, July 27 at 2:10 p.m. on the White Horse Stage
Becca Klaver, Kirsten Kaschock, Sharon Mesmer, Shanna Compton & Justin Marks

Also don't miss these Bloof authors in these additional slots: 

Saturday, July 26 at 2:30 p.m. on the Algonquin Stage
Jackie Clark performs with Coldfront Magazine

Sunday, July 27 at 4:30 p.m. on Chumley's Stage
Natalie Eilbert performs with Coconut Poetry


BOOK FAIR: Come see us both days!

We'll have handmade chapbooks by Natalie Eilbert, Dawn Sueoka, Amanda Montei, Pattie McCarthy, & Kirsten Kaschock, plus our complete catalog of paperbacks including the our new release, Ultramegaprairieland by Elisabeth Workman. 

Also available: guidelines for our Open Chapbook Reading Period.