The Dead Girls Speak in Unison
Danielle PafundaISBN: 978-0-9965868-6-3
5 x 7 | $15
Trade Paper Original
PREORDER SPECIAL $12 + free shipping.
Regularly $15 + $3 shipping
Preorders will ship in late February.
Publication date: April 2017
A second redesigned & updated edition of The Dead Girls Speak in Unison by Danielle Pafunda is now available for preorder from Bloof Books. The Dead Girls Speak in Unison is Danielle Pafunda's sixth collection of poems. Two of Danielle's other books are also available from Bloof: My Zorba and Natural History Rape Museum.
"Danielle Pafunda abolishes the stereotype of prissy, dainty girls in her thrilling poetry collection The Dead Girls Speak in Unison. Set in a surrealistic underworld, takes on the collective voice of empowered female corpses and ironically uses quaint language and structure to describe the true nature of women. […] Pafunda’s collection leaves readers craving more of its 'rotten pages.' 'If you’re looking for something pretty,' don’t look here. —Verse, Brittany Capps
"We don’t often see choral speakers, but speaking in unison gives these 'girls' collective presence, forcing us to face gender violence. [T]he girls gain a certain power in this…raw girls who bypass maturity, who are as rank and offensive as possible. These unrefined girls are deeply unsettling." —The Plot, Heidi Czerwiec
About the author:26Where’s our deady daddy?Where’s our dear deaddada man?We’re all dolled up.We’re curls and pearlsand ruffled pants.We’ve tacked our skinback ontobones, and hissingroaches at our throats.Gemless, rigged.We’re daddy’s girlswe’re applespierced throughthe heart, the socketwhere the heartor the eye once was.We’ve his eyes, in facthis expression fixeda fix, a needledropping downa syringe full of seedstraight into the cavity
or this bombed-out hide.
Danielle Pafunda is the author of The Dead Girls Speak in Unison (Bloof Books, 2017), Natural History Rape Museum (Bloof Books, 2013), Manhater (Dusie Press, 2012), Iatrogenic: Their Testimonies (Noemi Press, 2010), My Zorba (Bloof Books, 2008), Pretty Young Thing (Soft Skull Press, 2005), and the chapbooks Cram (Essay Press, 2015) and When You Left Me in the Rutted Terrain of Our Love at the Border, Which I Could Not Cross, Remaining a Citizen of this Corrupt Land (Birds of Lace, 2014). Her poems have appeared in three editions of The Best American Poetry and have been anthologized in Beauty is a Verb: The Poetics of Disability (Cinco Puntos Press, 2011), Gurlesque: The New Grrly, Grotesque, Burlesque Poetics (Saturnalia Books, 2010), Not for Mothers Only: Contemporary Poems on Child-Getting & Child Rearing (Fence Books, 2007), Hick Poetics (Lost Roads Press, 2015) and Please Excuse This Poem: 100 Poets for the Next Generation (Penguin, 2015).